文献类型：期刊文献

中文题名：出场、表演与裂变:身体书写的多元景观——以广东新时期文学为考察中心

英文题名：Appearance,Performance and Fission:Multiple Landscapes of Body Writing:Focusing on Guangdong Literature in the New Era

作者：李海燕[1]

机构：[1]广东海洋大学文学与新闻传播学院,广东湛江524088

年份：2021

卷号：42

期号：4

起止页码：50

中文期刊名：岭南师范学院学报

外文期刊名：Journal of Lingnan Normal University

收录：国家哲学社会科学学术期刊数据库

基金：教育部人文社会科学研究一般规划基金项目(19YJA751020)。

语种：中文

中文关键词：身体书写;多元景观;广东新时期文学

外文关键词：body writing;multiple landscape;Guangdong Literature in the New Era

中文摘要：身体是个人欲望和体验的展示所,也是政治、社会和文化的承载体,新时期身体书写呈现了一个多元化的身体图景。20世纪80年代的身体政治伦理性较强,大多承担着反思历史、展望未来的任务;20世纪90年代的身体在本真性回归的同时显现出丰富的性别文化意蕴;消费主义笼罩下的身体则沦为消费的传声筒和表现物。但新时期作家们并未将身体彻底敷演为消费规训下的城市奇观,他们日益感受到现代身体的撕裂之痛与虚无之感,以身体异化体验传达现代审美批判便成为广东新时期作家的普遍选择。

外文摘要：Body is not only the display of individual desire and experience,but also the carrier of politics,society and culture.Body writing in the new era presents a diverse picture of the body.In the 1980 s,body writing had strong political ethics,and most of them were charged with the task of reflecting on history and looking forward to the future.In the 1990 s,the body showed rich gender cultural implications while returning to its original nature.The body shrouded in consumerism is reduced to the microphone and manifestation of consumption.However,the writers in the new period have not completely performed the body as a spectacle of the city under the discipline of consumption.They increasingly feel the pain of tearing and the sense of nothingness in the modern body.It has become a common choice of Guangdong writers in the new period to convey the aesthetic criticism of modernity through the experience of body alienation.