文献类型：期刊文献

中文题名：数字音景推动中国电影音乐从听觉修饰到叙事主体的技术演进研究

英文题名：Research towards digital soundscapes driving the technological evolution of Chinese original score from auditory embellishment to narrative subject

作者：李梓郡[1]

机构：[1]广东海洋大学中歌艺术学院,广东湛江524000

年份：2026

期号：1

起止页码：67

中文期刊名：现代电影技术

外文期刊名：Advanced Motion Picture Technology

基金：广东海洋大学高层次人才引进科研启动项目“中国歌剧电影史料整理与研究”(300202/060302172402)。

语种：中文

中文关键词：数字音景;沉浸式全景声;音色频谱;数字采样;声演共振

外文关键词：Digital Soundscape;Immersive Ambisonics;Timbre Frequency Spectrum;Digital Sampling;SoundPerformance Resonance

中文摘要：在数字技术重构电影创作范式的背景下,本文聚焦中国电影音乐从听觉修饰转向叙事主体的技术实现路径,以《影》《刺杀小说家》《流浪地球2》等影片为例,提出“数字音景”作为核心技术概念,重点分析其在主题动机的意象化编程、音色频谱的情绪书写及声场空间建构等方面的具体实现方式。本文探讨数字音景与表演间的“能量共振”机制,阐释声音场域如何转化为表演者的生理节律与心理驱动。研究表明,数字音景的构建不仅可推动中国电影音乐的功能转型,更构建起声音与表演深度融合的技术美学体系,为数字时代中国电影“声-演”深度融合提供全新艺术范式与理论视域。

外文摘要：In the wave of global digital technology reshaping the film industry,this paper focuses on the technical realization path of Chinese original score from auditory embellishment to narrative subject.By conduction case studies towards Shadow,A Writers Odyssey and The Wandering EarthⅡ,this research puts forward the core concept of digital soundscape,and analyzes the concrete realization methods of imagery programming of thematicmotifimagistic variation,emotional scripting via timbre frequency spectrum,and narrative construction.This paper discusses the energy resonance mechanism between digital soundscapes and cinematic performance,analyzing how the acoustic field internalizes as physiological and psychological dynamics for performance.The result indicates that the construction of digital soundscapes marks the modernization of China's film technical aesthetics,realizes the deep integration of sound and performance,and provides a brand new artistic paradigm and theoretical horizon for the deep integration of Chinese original score and performance in the digital era.