文献类型：期刊文献

中文题名：格律追求与现实表现的《死水》

英文题名：Pursuing of Forms of Classical Poems and Realistic-Representing of "Dead Water"

作者：李乐平[1]

机构：[1]广东海洋大学文学院,广东湛江524088

年份：2006

卷号：24

期号：5

起止页码：57

中文期刊名：河南科技大学学报（社会科学版）

外文期刊名：Journal of Henan University of Science & Technology(Social science)

收录：国家哲学社会科学学术期刊数据库

语种：中文

中文关键词：<死水>;闻一多;新诗;格律

外文关键词：'Dead Water';Wen Yiduo;new poems;forms of classical poem

中文摘要：具有象征内涵的《死水》所追求的三美是闻一多纳诗于艺术之轨和倡导诗之格律的具体实践。这不仅与其深厚的古典文化素养有关,也与其方正性格有关。虽然《死水》在追求唯美方面达到极端,但又是他现实人生底基石上的至情至性作品,是他这张“唱片”在苦难大地上发出的惊天叫响。

外文摘要：The Three Aesthetics which Wen Yiduo pursued were exactly the idiographic practice of his theory.They were not only related to his profound classical culture attainment,but also related to his righthearted and rhadamanthine personality.Although the Dead Water achieved the extremeness of estheticism pursuing undoubtedly,it was also a great work based on Wen Yiduo's real-life experience and reflected his emotion and thoughts.It was a gigantic call of the distressful world as Wen Yiduo was a gramophone of that society.