文献类型：期刊文献

中文题名：“菩提只向心觅,何劳向外求玄”——论中国现代画家诗人的宗教身份认同

英文题名：Discussion about religious identity of Chinese modern painter poets

作者：叶澜涛[1]

机构：[1]广东海洋大学文学与新闻传播学院,广东湛江524088

年份：2018

卷号：40

期号：4

起止页码：380

中文期刊名：浙江理工大学学报（社会科学版）

外文期刊名：Journal of Zhejiang Sci-Tech University：Social Sciences

收录：国家哲学社会科学学术期刊数据库

基金：广东海洋大学科研启动经费资助项目(R17076)

语种：中文

中文关键词：现代;画家诗人;宗教;身份认同

外文关键词：modern;painter poet;religion;identity

中文摘要：由于中国古典绘画与宗教之间互相影响的艺术传统,因此许多现代传统型画家存在着不同程度的宗教身份认同,这样的宗教身份认同感也影响了这些画家的诗词创作。根据现代画家诗人的职业属性和认同程度差异,具有宗教身份认同的现代画家诗人群大致可分为两种类型:一类是宗教信仰者,如李叔同、丰子恺、苏曼殊等;一类是宗教研究者,如叶恭绰、饶宗颐等。现代画家诗词中的宗教身份认同,一方面表明了中国画家诗人创作中悠久的宗教传统,另一方面体现了宗教与绘画及诗词之间复杂的互动关系。

外文摘要：Because of the art tradition between Chinese classical painting and religion,many modern traditional painters also have different degrees of religious identity,which affects the poetic creation of the painters.According to the professional attributes and identification differences of modern painter poets,the modern painter poets with religious identity can be roughly classified into two types：one type is religious believers,such as Li Shutong,Feng Zikai and Su Manshu;the second type is religion researchers,such as Ye Gongchuo and Rao Zongyi.On the one hand,the religious identity of modern painter poets indicates the long religious tradition in the creation of Chinese painter poets.On the other hand,it proves the complex interaction among religion,painting and poetry.