文献类型：期刊文献

中文题名：论郎世宁宫廷绘画技法的演变

英文题名：Evolution of Giuseppe Castiglione's Palace Painting Techniques

作者：赵阳[1,2]

机构：[1]广东海洋大学寸金学院;[2]华南师范大学美术学院

年份：2017

卷号：10

期号：1

起止页码：136

中文期刊名：文化艺术研究

外文期刊名：Studies in Culture & Art

收录：国家哲学社会科学学术期刊数据库、CSSCI_E2017_2018、CSSCI

语种：中文

中文关键词：郎世宁;宫廷绘画;西画东渐;审美品位;西洋写实技法

外文关键词：Giuseppe Castiglione; palace painting; eastward permeation of Western paintings; aesthetic taste; Western realistic techniques

中文摘要：郎世宁在清宫的绘画,是运用西洋写实技巧来绘制中国画的题材,同期的西洋传教士没几个人能像他一样把握得恰当好处。无论是何种题材的中国画,郎世宁都可以运用西法中的明暗法、透视法、解剖学和色料涂抹等方式来绘制皇帝所交代的作品,在不同时期,西洋写实技法的运用也会有所改变,越到晚期他所使用的西法越少,中国画的元素也越来越多,形成了中西融合之风。

外文摘要：Palace paintings of Giuseppe Castiglione in the Qing Dynasty, were themed with Chinese subjects with Western realistic techniques, while few of Western missionaries at the same time could do just right like him. For whatever subjects, Giuseppe Castiglione was able to accomplish the works that the emperor ordered with Western techniques such as shading, perspective, anatomy and pig-ment daub, the use of which also changed in different time. In his late years of creation, Castiglione applied less and less Western means but more and more Chinese elements, and thus integrated Chi-nese and Western styles.