文献类型：期刊文献

中文题名：市场对电影碎片化审美的影响

英文题名：The Influence of Market to Fractal Aesthetics in Film

作者：阎怀兰[1];李婷婷[1]

机构：[1]广东海洋大学文学与新闻传播学院,广东湛江24088

年份：2019

卷号：34

期号：1

起止页码：42

中文期刊名：广西科技师范学院学报

外文期刊名：Journal of Guangxi Science & Technology Normal University

收录：国家哲学社会科学学术期刊数据库

语种：中文

中文关键词：电影;市场;碎片化;审美

外文关键词：film;market;fragmentation;aesthetics

中文摘要：电影的碎片化审美,在数字技术作用下日益凸显,来源于市场力量的影响尤其深刻。市场化要求电影制作兼顾受众的类型和照顾受众的心灵碎片,并以年轻化观众的审美趣味为主导,电影合拍和发行跨界的市场运作,市场意识与国家意识的融合,电影的泛化,以及市场催发技术和技术影响电影叙事,都是市场影响电影碎片化审美的具体表现。电影碎片化审美既解放了大众的创造性,给市场注入活力,又削弱了电影的艺术性。

外文摘要：The fragmentation of film aestheticism is increasingly prominent under the role of digital technology,and is thoroughly influenced by market forces.Film’s marketization requires it to take into account the types of audiences and the mind fragments of the audience,and to take the aesthetic tastes of the younger audience as the dominant factor,therefore it displays features as co-operation and separated distribution,the fusion of market and national consciousness,the generalization of the film and the market-driven technology and its influence on film narration.These are the concrete manifestations of market impact on film fragmentation.Film fragmentation not only liberates the creativity of the masses,injects vitality into the market,but also weakens the artistry of the film.