文献类型：期刊文献

中文题名：从孙悟空看媒介时代文学形象的增殖

英文题名：The Reproduction of Literary Images in the Media Age Taking the Monkey King as an Example

作者：阎怀兰[1]

机构：[1]广东海洋大学文学与新闻传播学院,广东湛江524088

年份：2017

卷号：37

期号：5

起止页码：91

中文期刊名：广东海洋大学学报

外文期刊名：Journal of Guangdong Ocean University

收录：CSTPCD

语种：中文

中文关键词：媒介;文学形象;形象增殖;艺术生产;文本

外文关键词：literary image;media;image reproduction;art production;text

中文摘要：媒介时代的文化艺术生产渐渐形成了一种以文学形象为根源性、共同性因素的相关艺术文本的生产模式,即文学形象在异质媒介中的增殖模式。指出孙悟空形象除了在文学、影视、戏曲、游戏等作品文本的多重媒介中增殖,还作为文化形象、商业形象或娱乐形象出现在文化产品、旅游产品或游乐产品中。文学形象的增殖是文学艺术作品生产的内驱力,促使文学形象增殖的原因包括媒介伸手、形象长腿和经济效益的驱动。

外文摘要：The production of culture and art in the media age has gradually formed a kind of production mode, which is based on the literature image as the source and the common factor. The mode is reproduction of literary images in multiple media, for example, the image of the Monkey King reproduced in multiple media. The image of the Monkey King appeared in the literary text,television, films, opera and other works, and also appeared in the cultural products and tourism products or recreation products as a cultural, business and entertainment image. The reproduction of literary image is the internal driving force of literary production. The reasons of reproduction of literary image lie in media,image and economic benefits.