文献类型：期刊文献

中文题名：非遗传承视野下雷州乌石“蜈蚣舞”的艺术价值

英文题名：The Artistic Value of “Centipede Dance” in Leizhou Wushi from the Perspective of Non-Generic Heritage

作者：李芷萱[1];王珊[1]

机构：[1]广东海洋大学中歌艺术学院,广东 湛江

年份：2022

卷号：10

期号：3

起止页码：144

中文期刊名：国学（汉斯）

外文期刊名：Chinese Traditional Culture

语种：中文

中文关键词：非遗;雷州海洋文化;乌石“蜈蚣舞”;艺术价值

中文摘要：当今时代的飞速发展,使得很多的艺术门类得到了更好地传播,例如一些实体器具文化具象型文物符号的挖掘和保护,但却很少对文化“动态传承”非遗乡土文化的保护。那么我国的许多地区的非遗传统舞蹈正是处于此“中间地带”,其原生态的艺术形式面临着生存挑战,本文以广东省雷州市乌石港的“蜈蚣舞”为主要分析对象。了解其历史文化以及在当今社会能给我们从事艺术工作者所带来的艺术价值与思考。通过分析乌石“蜈蚣舞”的古往今来,让我们更好地了解其历史的传承性和时代的创新性。塑造出既不丢失其“原始风味”,又可以催生属于现代人的符号语言,让非遗舞蹈不仅仅存在人们的想象里,而是从“想象”走向“现实”。

外文摘要：The rapid development of today’s time has made many art categories to be better disseminated, such as the excavation and protec-tion of some physical apparatus culture figurative cultural relics symbols, but little protection of cultural “dynamic heritage” non-heritage vernacular culture. This paper takes the “Centipede Dance” of Wushi Port in Leizhou City, Guangdong Province as the main object of analysis. Through the analysis of Wushi’s “Centipede Dance” in the past and the present, we can better understand its historical inheritance and innovation of the times. We will shape a symbolic language that does not lose its “original flavor” but can also give rise to modern people, so that the non-heritage dance does not only exist in people’s imagination, but moves from “imagination” to “reality”.