文献类型：期刊文献

中文题名：中国题画诗类型新解--以中国现代画家诗人诗作为例

英文题名：A New Interpretation of the Types of Chinese Painting Poems--Take the Poetry of Modern Chinese Painters and Poets as an Example

作者：叶澜涛[1]

机构：[1]广东海洋大学文学与新闻传播学院,广东湛江524088

年份：2020

期号：4

起止页码：38

中文期刊名：重庆师范大学学报（社会科学版）

外文期刊名：Journal of Chongqing Normal University(Edition of Social Sciences)

收录：国家哲学社会科学学术期刊数据库

基金：国家社科重大项目“多卷本《中国现当代旧体诗词编年史》编纂与研究及数据库建设”(18ZDA263);四川省教育厅一般项目“新世纪网络旧体诗词研究”(WLWX-2019010)。

语种：中文

中文关键词：题画诗;画家诗人;诗画一律;艺术融合

外文关键词：China;painting poetry;painter poet;type

中文摘要：“诗画一律”是中国独特的艺术传统,这一艺术融合的最终形成是“诗向画的靠拢”与“画向诗的靠拢”双向运行的结果,题画诗是对“诗画一律”艺术观念的实践。通过列举中国现代画家创作的题画诗,证明中国题画诗从诗画关系上可分为三类:诗意大于画意、诗意等于画意、诗意小于画意。通过对中国画家题画诗新的类型分析,既能理解画家在创作题画诗时的“文本间性”,又能认识均衡艺术修养的重要性。

外文摘要："Unity of poetry and painting" is a unique artistic tradition in China. The final formation of this artistic fusion is the result of the two-way operation of " the close of poetry to painting" and " the close of painting to poetry". Painting poetry is the practice of the artistic concept of "unity of poetry and painting". By listing the poems on paintings created by modern Chinese painters,it is proved that Chinese poems on paintings can be divided into three categories from the relationship between poems and paintings: poetry is greater than painting;poetry is equal to painting;poetry is less than painting. Through the analysis of the new types of Chinese painters’ painting poems,we can not only understand the " intertextuality" of painters in the creation of painting poems,but also understand the importance of balanced artistic cultivation.